This narrative revolves around a mentally unstable painter whose life is plagued by drug addiction and paranoia, culminating in the tragic error of committing murder. The story begins with an unkempt painter, his long hair disheveled and shirtless, reclining on a sofa after consuming drugs. He closes his eyes leisurely, drifting into a hallucinatory state where he envisions stabbing a photograph of a woman with a dagger. The scene transitions to the imagined reality: the woman lies stabbed in the chest, bleeding profusely. (This sequence represents a stream-of-consciousness technique.)

The shot shifts again as the painter drags a large cardboard box into an elevator. Leaning against the corner, the box emits a red, viscous liquid. A security guard enters the elevator and, after scrutinizing the painter for an extended period, concludes that the box conceals a corpse. Believing the painter guilty of murder, the guard attempts to apprehend him. In the ensuing struggle, the painter fatally stabs the guard with his dagger and exits the elevator, dragging the heavy box that continues to ooze red liquid.

At the ending of the story, when the box is opened, it reveals not the dismembered body parts of the woman but a meticulously assembled mannequin resembling the woman in the photograph. The red liquid turns out to be spilled paint. With a disturbing smile, the painter proceeds to sketch the mannequin from life, completing his artistic vision.

This story focuses on exploring the inner world of a painter who has gone crazy due to drug abuse. Many of the storylines need to be presented through the cross-montage of stream of consciousness. As the story contains some bloody and drug abuse scenes, I eventually did not choose this script.